CfP: Association of Art Historians 2017

AAH2017 

43rd Annual Conference and Art Book Fair

Loughborough University

6 – 8 April 2017

Deadline for Proposals: 7 November 2016

 

AAH2017’s Call for Papers includes two sessions of interest to RIN’s members, readers and followers:

 

Prints in Books: the materiality, art history and collection of illustrations

Convenor: Elizabeth Savage, Cambridge University, leu21@cam.ac.uk

 

Speculative Libraries

Convenor: Nick Thurston, University of Leeds, n.thurston@leeds.ac.uk

 

Please email your paper proposals straight  to the session convenor(s). Provide a title and abstract for a 25 minute paper (max 250 words). Include your name, affiliation and email. Your paper title should be concise and accurately reflect what the paper is about (it should ‘say what it does on the tin’) because the title is what appears most first and foremost online, in social media and in the printed programme.

You should receive an acknowledgement of receipt of your submission within two weeks.

 

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Romantic Illustration Network Internship: Westminster Archives Centre

The Romantic Illustration Network has organized a student internship at our partner organization, City of Westminster Archives Centre, in London.

Roehampton student Philip Rafferty (MRes, Classics), will  spend four weeks at the Archives, funded by Santander bank.

Philip has been working with the Shepherd Collection of London prints, and the playbills collection, as well as cataloging and assisting with RIN’s summer event on July 19th.

 

Applications open: Amy P. Goldman Fellowship in Pre-Raphaelite Studies

Amy P. Goldman Fellowship in Pre-Raphaelite Studies

Deadline to apply November 1, 2016
The University of Delaware Library, in Newark, Delaware, and the Delaware Art Museum are pleased to offer a joint Fellowship in Pre-Raphaelite studies, funded by the Amy P. Goldman Foundation. This one-month Fellowship, awarded annually, is intended for scholars conducting significant research in the lives and works of the Pre-Raphaelites and their friends, associates, and followers.  Research of a wider scope, which considers the Pre-Raphaelite movement and related topics in relation to Victorian art and literature, and cultural or social history, will also be considered. Projects which provide new information or interpretation—dealing with unrecognized figures, women writers and artists, print culture, iconography, illustration, catalogues of artists’ works, or studies of specific objects—are particularly encouraged, as are those which take into account transatlantic relations between Britain and the United States. Applicants whose research specifically utilizes holdings of the University of Delaware Library, the Mark Samuels Lasner Collection, the Delaware Art Museum, and the Helen Farr Sloan Library and Archives, are preferred.

A stipend of $3,000 is available for the one-month Fellowship. Housing will be provided. Personal transportation is recommended (but not mandatory) in order to fully utilize the resources of both institutions.

The Fellowship is intended for those who hold a Ph.D. or can demonstrate equivalent professional or academic experience. Applications from independent scholars and museum professionals are welcome. By arrangement with the Yale Center for British Art, New Haven, CT, scholars may apply to each institution for awards in the same year; every effort will be made to offer consecutive dates.

The deadline to apply for the 2017 Fellowship is November 1, 2016. Notification of the successful applicant will be announced by December 1, 2016. The chosen candidate will then be asked to provide a date for assuming the Fellowship by January 1, 2017.

If you have any questions or would like to request more information, please contact:

Margaretta S. Frederick
Pre-Raphaelite Fellowship Committee
Direct line: 302.351.8518
E-mail: fellowships@delart.org

RIN Summer event: ‘Staging Shakespeare’, Professor Frederick Burwick, Westminster Archives Centre, July 19th 2016

RIN’s summer event took place on one of the hottest evenings of the year, but a great crowd turned out to hear Frederick Burwick’s public lecture ‘Staging Shakespeare: picturing Shakespeare’s plays in the 18th and 21st centuries’.

A renowned expert on the Boydell Shakespeare Gallery, Burwick’s starting point was the question: what relevance are the Boydell prints to the staging of Shakespeare?

His answer, in contrast to Richard Altick’s (in Painting From Books, 1985) is: quite a lot.

Burwick picked out 27 images which showed that many (not all) of the Boydell prints in fact have a close affinity with what a London audience might have witnessed on stage at the end of the 1700s.

He showed that, because many of the original paintings were done by artists who were also scene painters, the prints are a useful guide to what the 18th century stage would have looked like. Northcott and others asked actors such as Kemble to pose in their studios in role, and the paintings conform to the language of gesture in use on the stage at that time.

Indeed, Burwick’s lecture made it clear that the Boydell images remained an influence on subsequent Shakespeare productions, as Burwick drew comparisons with 20th and 21st century stagings.

At the wine reception (sponsored by the British Association for Romantic Studies) after the lecture, attendees were able to look at the digitized Shakespeare Gallery prints donated to RIN by Burwick, and also at items from the Westminster Archives extensive Theatre collection.

 

 

The Sherborne House Macready-Dickens screen

The Centre for Victorian Literature and Culture at the University of Kent is pleased to announce the launch of its website for display of the Sherborne House Macready-Dickens screen at https://www.kent.ac.uk/macready/index.html

The Macready-Dickens screen is a four-leaf, folding scrap-work screen that was created at Sherborne House, Dorset, by William Macready and Charles Dickens (according to family report) in the 1850s. The screen was donated to the Trustees of Sherborne House by Sir Nevil Macready. It has just been restored and conserved and will shortly go on display at the Sherborne Museum. Covered with almost 500 images cut from prints, it provides a unique window onto the world of nineteenth-century theatrical, literary, historical and political cultures. Approximately 70% of the images have so far been identified.

The website has been created to provide for public display of the screen. It enables users to study individual images in detail and provides research information about them where it is available. It forms an ongoing resource for anyone interested in Macready, Dickens or the ways in which Victorian objects relate to the lives of those who owned or made them.

For further information, please contact Professor Cathy Waters at c.waters@kent.ac.uk

CFP: Object Matters: Making Memory: material and visual culture of commemoration in Ireland c.1800 – 2016

CFP: ‘Object Matters: Making Memory: material and visual culture of commemoration in Ireland c.1800 – 2016’

13-15 October 2016

National Gallery of Ireland, Merrion Square, Dublin 2

Funded by the Irish Research Council ‘New Foundations’ Scheme

Deadline for proposals 12 July, 2016

Proposals of c.300 words accompanied by a short CV are invited for 20-minute papers related to the material and visual culture of commemoration in Ireland from c.1800 to the present day. Please email to makingmemory@ncad.ie.

This cross-disciplinary conference will address how objects, images, artworks, buildings, spaces and bodies have worked and been understood in the creation and maintenance of public and private memory in Ireland since c.1800. While topics might include key personages and events such as World War 1, the Irish Civil War and the Manchester Martyrs, we also encourage proposals that address the commemoration of lesser-known histories.

Commemorative culture might encompass events such as ceremonies and parades, artefacts such as souvenirs or artworks, institutional practices such as collecting and exhibiting, particular sites such as commemorative buildings, graveyards and ceremonial spaces, and private modes of visual and material remembrance such as domestic mnemonic objects.

The conference should contribute to our understanding of how ideas about the past have been visualised, manufactured, articulated, materialised, distributed and performed.

Proposals are welcomed from researchers and practitioners across various fields including Art practice, Archaeology, Anthropology, Geography, Architectural History, History of Design, Material Culture, Visual Culture, Memory Studies, Museum Studies, Art History, History of Media, Cultural History, Sociology and Critical theory. A publication is planned based on the conference proceedings. For the proceedings of the first Object Matters conference Making 1916: material and visual culture of the Easter Rising, see http://liverpooluniversitypress.co.uk/products/60501.

Deadline July 12, 2016. Participants will be notified by July 22.

Conference Convenor Dr. Lisa Godson, National College of Art & Design

Conference Administrator Kate Butler, BL

Supported by the National College of Art and Design + University College Dublin Centre for Creative Arts and Critical Cultures / National Gallery of Ireland/Irish Museums Association / Irish Architecture Foundation / GradCAM

Enquiries and proposals should be directed to: makingmemory@ncad.ie