Past Events

Romantic Illustration Network

Programme of Events 2014-15

The Political Economy of Book IIlustration. Friday 6 June 2014, 1.30pm – 5pm, British Academy: William St Clair (London IES); Brian Maidment (Liverpool John Moores); Anthony Mandal, Julia Thomas, Nicola Lloyd, and Michael Goodman (Cardiff). Supported by the University of Roehampton. Organised with the assistance of the British Academy. 

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The Artist and the Writer. Saturday 29 November 2014, 10 – 5.35pm, Institute of English Studies (Room 349, 3rd Floor), Senate House, London: Lynn Shepherd (Richardson scholar and novelist), Tim Fulford (De Montfort), Sandro Jung (Ghent); Sophie Thomas (Ryerson, Canada); Ruth Richardson (King’s College London; Cambridge); Mary L. Shannon (Roehampton). Supported by the British Association for Victorian Studies (BAVS), www.bavs.ac.uk, and the University of Roehampton. Organised with the assistance of the Insitute of English Studies.

Registration necessary: click to access the booking system. Places are FREE, but LIMITED.

Download the REVISED programme here.

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The Literary Galleries: Entrepreneurship and Public Art. Friday 27 February 2015, 10 – 5pm, Board Room and Duffield Room, Tate Britain, London: Frederick Burwick (UCLA), Luisa Calè (Birkbeck), Ian Haywood (Roehampton), Rosie Dias (Warwick), Martin Myrone (Tate). Supported by the University of Roehampton and the Bibliographical Society. Organised with the assistance of Tate Britain. 

Listen to the podcasts of the talks here.

Download the final programme here.

Please arrive at the Staff  Entrance by 10am, where you will be directed to the Board Room: download a map of the Tate and travel details here.

Please join us for a drink at the White Swan after the symposium.

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 The Art of Quotation and the Miniaturized Gallery. Saturday 6 June 2015, 10 – 5pm, The House of Illustration, London: Peter Otto (Melbourne), David Worrall (Roehampton/Nottingham Trent), Kate Heard (Royal Collection), Susan Matthews (Roehampton), Bethan Stevens (Sussex). Supported by the University of Roehampton and the Bibliographical Society. Organised with the assistance of House of Illustration.

This session follows two themes:

  1. Miniaturization: Drawing on Peter Otto’s work on virtual culture in the Romantic period, is the illustration a form of virtual gallery? How does visual meaning change when an image is resized?
  2. The Art of Quotation: How were literary quotations used to conceptualise visual images? How important are framing devices to the meaning of an image?

…and other related questions.

Registration is free, and includes free entry to the main exhibition.

Download the programme here. Lunch recommendations from The House Of Illustration are here.

To register, please email Mary.Shannon@roehampton.ac.uk, giving your name, job title, and institution (if applicable). Places will be awarded on a first-come, first-served basis, and there will be a waiting list.

We are also accepting applications for 3 Bibliographical Society Studentships of £60 each, to assist postgraduate students with attendance. 3 spaces are reserved for the successful candidates.

London-based and non-London based postgraduate students are all eligible: applications will be assessed on the basis of the relevance of your research to the work of the Network and/or the Bibliographical Society.

To apply, please send your CV, and a statement explaining how your research fits with the work of the Network and/or the Bibliographical Society (200 words max), to Mary.Shannon@roehampton.ac.uk by Monday 25th May. Successful candidates will be notified by Wednesday 27th May.

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Recent Posts

Lewis Walpole Library Masterclass

The Lewis Walpole Library is now accepting applications for its residential masterclass,  A Contest of Two Genres: Graphic Satire and Anglo-American History Painting in the Long Eighteenth Century.

The residential course will be led by Mark Salber Phillips (Carleton University) and Cynthia Roman (Lewis Walpole Library), and will take place 15-18 May.

According to the Lewis Walpole Library website:

Centuries-old hierarchies of the visual arts have placed history painting and graphic satire at opposite ends of the spectrum. “History painting” – high minded narrative art depicting exemplary heroes and events— carried enormous prestige, bringing fame to the individual artist as well as to the national school. In contrast, graphic satire was viewed as the lowest form of visual expression – more closely connected to political prints than to high-minded “histories.”

This residential seminar is intended to give doctoral students in a variety of disciplines the opportunity to consider issues and overlaps between these two narrative genres. Making use of visual material and textual resources from the collections of the Lewis Walpole Library’s at Yale, we will examine the often-embattled efforts of artists to construct new modes of visual representation as well as of narrative and history.  Through a multidisciplinary approach, we  will take note of a variety of key issues, including the theoretical context of Enlightenment intellectual history, the more focused discourse of art treatises, and direct encounters with the formal and aesthetic qualities of works of art. Among history painters we will give our attention to the works of William Hogarth, Gavin Hamilton, Benjamin West, and John Trumbull, while among the satirists we will focus on James Gillray, Thomas Rowlandson, and Isaac and George Cruikshank.

The class will be taught as a combination of seminars, small group discussions, and visits to the Yale Center for British Art, the Yale University Art Gallery, and the Wadsworth Atheneum Museum of Art. Most of the teaching will take place in the Lewis Walpole Library in Farmington.

Places are limited, and (post)graduate students are encouraged to apply by submitting a short statement of interest here. Transportation will be available to and from New Haven, and accommodation may be available on-site upon request.

 

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